As a musician’s instrumental proficiency develops, so too does their artistic taste and temperament. Each ANAM musician’s recital is a snapshot in time – simultaneously summarising their year of training and revealing glimpses of their future selves. What music excites them? What do they want to communicate? How does their art help them understand the world better? Hear what the next generation of virtuosi have to say, and how, in the 2025 ANAM Recital series.
In 2025 the ANAM Set is back. Musicians in their 3rd year of training present a specially commissioned work as part of their recital program.
Vessels of Sound
"An exploration through both old and new styles – probably nothing you've heard before. The Druschetzky's concerto for six timpani is totally classical and exactly what you would expect from a concerto of that time period (but played on timpani). The Psathas on the other hand is super modern and incorporates a lot of inspiration from traditional Greek styles and energetic 'filmic' music. Sandwiched between those two is 'Vessels of Oil and Air', a brand new piece by Carolyn Scholfield which explores the space between acoustic and electronic, with live looping, audio delay and synth backing tracks." — Steven Bryer
Georg DRUSCHETZSKY Concerto for six timpani and orchestra
Carolyn SCHOFIELD Vessels of oil and air*
John PSATHAS View from Olympus
Steven Bryer (QLD) Percussion
Po Goh (VIC) Piano
Aidan Boase (ANAM Associate Faculty) Piano
*World premiere, commissioned as part of the ANAM Set 2025. The 2025 ANAM Set commissions are supported by the Anthony and Sharon Lee Foundation.
Photo by Pia Johnson
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