As a musician’s instrumental proficiency develops, so too does their artistic taste and temperament. Each ANAM musician’s recital is a snapshot in time – simultaneously summarising their year of training and revealing glimpses of their future selves. What music excites them? What do they want to communicate? How does their art help them understand the world better? Hear what the next generation of virtuosi have to say, and how, in the 2025 ANAM Recital series.
Hanna Wallace Viola Recital
"My program is entirely selected based on what I have heard and loved. I watched Mattea play Aftermath by Emily Sheppard last year and cried as it is such a raw and beautiful piece — I also grew up as a choir kid, and getting to sing whilst playing viola seems so fun. I picked Henri Vieuxtemps' Viola Sonata because it is a gorgeous romantic piece with such inspiring and rich musicality and it is the perfect opportunity to get to play the entire work. And lastly, chamber music is my favourite, and my quartet is learning Debussy's quartet in G minor, which sounds gorgeous and French and amazing — and showcases the viola equally to the other members of the quartet." — Words by Hanna Wallce
Emily SHEPPARD Aftermath
Henri VIEUXTEMPS Viola Sonata in B-flat Major, op. 36
Claude DEBUSSY String Quartet in G Minor: I. Animé et très décidé, II. Assez vif et bien rythmé
Hanna Wallace (NSW) viola
Olivia Kowalik (NSW) violin
Jasmine Milton (SA) violin
Max Wung (WA) cello
Berta Brozgul (ANAM Associate Faculty) piano
Photo by Pia Johnson
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