Collaborating on The ANAM Set with ANAM musician James Morley SA cello
Sydney Conservatorium of Music | University of Sydney
Liza Lim is an Australian composer, educator and researcher whose interests include collaborative and transcultural practices in music with a focus on perspectives from ecological anthropology, post-human/Anthropocene studies and research into distributed creativity. Her compositional practice is deeply imbued with a sense of the socio-cultural lineages of people, objects and performance practices hence her interest in musical form as an emergent expression of group processes. Her works, and in particular four operas: The Oresteia (1993), Moon Spirit Feasting (2000), The Navigator (2007) and Tree of Codes (2016), as well as the recent large-scale cycle Extinction Events and Dawn Chorus (2018) explore themes around ritual, temporal slippage and the uncanny. Her genre-crossing percussion ritual/opera Atlas of the Sky (2018), is a work involving community participants that investigates the emotional power and energy dynamics of crowds.
Liza Lim has received commissions from some of the world’s pre-eminent orchestras and ensembles including the Los Angeles Philharmonic, Bavarian Radio Symphony Orchestra, Ensemble Musikfabrik, ELISION, Ensemble Intercontemporain, Ensemble Modern, Klangforum Wien, International Contemporary Ensemble and Arditti String Quartet. She was Resident Composer with the Sydney Symphony Orchestra in 2005 and 2006. Her music has been featured at the Spoleto Festival, Miller Theatre New York, Festival d’Automne à Paris, Venice Biennale and at all the major Australian festivals. Lim is Professor of Composition and inaugural Sculthorpe Chair of Australian Music at the Sydney Conservatorium of Music where she leads the ‘Composing Women’ program. Her music is published by Casa Ricordi Berlin and on CD labels Kairos, Hat Art, HCR and Winter and Winter.
Find out more at lizalimcomposer.com
Photo by Pia Johnson