In this interview we chat with departing musicians, Clare Fox (NSW, clarinet), Jordan Mattinson (QLD, trombone), and Laura Cliff (NSW, flute), to glean insights into their transformative journeys at ANAM. In this interview, explore the lessons they've learnt, milestones achieved, and best advice for the next cohort to train at ANAM.
Laura, Clare and Jordan all go onto the wonderful Sydney Symphony Fellowship program in 2024.
We congratulate Clare, Jordan, Laura and all departing musicians as they prepare for thrilling opportunities beyond ANAM.
Clare Fox (NSW, clarinet)
How do you feel you have evolved as a musician through ANAM’s training?
I feel much more confident in my performances as a musician. Through striving to always have a strong idea of what I want to convey musically and being able to express it effectively, and having a more grounded technique to achieve this (this is of course a continual work in progress!).
What advice would you give yourself when you were first starting at ANAM?
Say yes to as many extra performance opportunities you can and get involved! While the program each year is full of incredible opportunities, I have really enjoyed playing as much chamber music as I can in addition through Soundbites, NGV Curated performances and Syndicate soirees. We are so lucky to be surrounded by musicians who have the time and are interested in collaborating — it is a precious opportunity.
What are your future plans after you leave ANAM?
Next year, I will be moving back to Sydney to take part in the Sydney Symphony Fellowship Program as the Clarinet Fellow. I would also be very interested in further study overseas down the track.
Share your favourite image during your time at ANAM.
A real highlight of my time at ANAM has been working with my Wind Quintet. This is us after our performance of Brett Dean’s 'Polysomnography' which was a very challenging and rewarding experience. 
Jordan Mattinson (QLD, trombone)
How do you feel you have evolved as a musician through ANAM’s training?
I feel like I’ve gained a sense of musical independence. Having a chance to develop my own ideas as a musician in my craft with the guidance of the amazing ANAM teachers, who are just so invested in making the best musician out of each and every student here! My training here has boosted my confidence as a performer through the various performance opportunities at ANAM, from solo performances to brass quintet pieces to orchestral masterpieces.
What advice would you give yourself when you were first starting at ANAM?
My advice would be to take advantage of the numerous performance opportunities that ANAM provides, from performing in classes to curating your own Soundbites and recitals, and just signing up to all the amazing guest artists that come in to take classes!
What are your future plans after you leave ANAM?
In 2024 I’m thrilled to be taking part in the Sydney Symphony Fellowship program and the opportunity to make music alongside so many world class musicians and to work again with Simone Young who I had the privilege of working with at ANAM. I’m also heading overseas at the end of 2023 in the hopes of potentially studying over there in the next few years!
Laura Cliff (flute, NSW)
How do you feel you have evolved as a musician through ANAM’s training?
ANAM has really helped me develop as a musician in so many ways. I think the main thing that it has helped me with is confidence within my playing. It has allowed me to experience and learn how to juggle multiple projects at once, improve my communication and collaboration skills in an ensemble setting, and move to the next new level of professionalism when performing.
What advice would you give yourself when you were first starting at ANAM?
It is okay not to be perfect at everything- especially during busy times. The main thing is to try your best and accept that there is always going to be room for improvement.
What are your future plans after you leave ANAM?
Next year, I will be moving back to my home city, Sydney to take part in the Sydney Symphony Orchestra Fellowship program! This has been something I have dreamed of doing and I am looking forward to the professional experience where I can learn more about orchestral playing and put it into practice. I will also be still working on my chamber playing and actively doing more with my flute and guitar duo (Duo Concinnity) with my guitar partner, James Audet throughout next year.
